{"product_id":"300w-stage-cob-par-light","title":"300W Stage COB Par Light","description":"\u003ch3\u003e300W Stage COB Par Light – Professional Lighting for Stage and Event Performances\u003c\/h3\u003e\n\u003cp\u003eThe \u003cstrong\u003e300W Stage COB Par Light\u003c\/strong\u003e is a 320W stage fixture built around a powerful 300W white + warm-white 2-in-1 COB LED source. With independent or mixed white output, 0–100% electronic dimming, 1–25Hz strobe and 2\/6-channel DMX512 control, it is suited to theatre stages, weddings, concerts, corporate events and live productions where strong white illumination is more important than RGB colour effects.\u003c\/p\u003e\n\u003ch4\u003eTechnical Specifications\u003c\/h4\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eSpecification\u003c\/th\u003e\n\u003cth\u003eDetails\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eProduct Type\u003c\/td\u003e\n\u003ctd\u003eCOB LED Stage PAR Light\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFixture Power Consumption\u003c\/td\u003e\n\u003ctd\u003e320W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLED Source\u003c\/td\u003e\n\u003ctd\u003e300W White + Warm White 2-in-1 COB LED\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eColour System\u003c\/td\u003e\n\u003ctd\u003eWhite + Warm White\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eColour Operation\u003c\/td\u003e\n\u003ctd\u003eSingle colour or mixed white\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimming\u003c\/td\u003e\n\u003ctd\u003e0–100% electronic dimming\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eStrobe\u003c\/td\u003e\n\u003ctd\u003e1–25 flashes\/second\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDMX Channels\u003c\/td\u003e\n\u003ctd\u003e2CH \/ 6CH\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eControl Protocol\u003c\/td\u003e\n\u003ctd\u003eDMX512\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOperating Modes\u003c\/td\u003e\n\u003ctd\u003eDMX512, Auto, Sound, Master-Slave\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDisplay\u003c\/td\u003e\n\u003ctd\u003eLED control panel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Voltage\u003c\/td\u003e\n\u003ctd\u003eAC90–240V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFrequency\u003c\/td\u003e\n\u003ctd\u003e50\/60Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePacking Carton\u003c\/td\u003e\n\u003ctd\u003e250 × 250 × 360 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGross Weight\u003c\/td\u003e\n\u003ctd\u003e6.5 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRecommended Use\u003c\/td\u003e\n\u003ctd\u003eTheatre, weddings, concerts, corporate stages and live events\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch4\u003e300W White + Warm White COB Source\u003c\/h4\u003e\n\u003cp\u003eThe centre of the fixture is a \u003cstrong\u003e300W white + warm-white 2-in-1 COB LED\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eUnlike an RGB PAR designed mainly for coloured stage washes, this model focuses on variable white illumination.\u003c\/p\u003e\n\u003cp\u003eThe two white components allow the fixture to create different white-light appearances and to blend them when required.\u003c\/p\u003e\n\u003cp\u003eThis makes it particularly useful for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003ePerformers\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSpeakers\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWedding stages\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTheatre productions\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCorporate presentations\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLive bands\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eScenic elements\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEvent entrances\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe fixture is therefore better positioned as a high-output stage illumination tool than as a decorative RGB effect light.\u003c\/p\u003e\n\u003ch4\u003eWhy COB Technology Works Well for Stage Lighting\u003c\/h4\u003e\n\u003cp\u003eCOB means \u003cstrong\u003eChip-on-Board\u003c\/strong\u003e, where multiple LED elements are integrated into a concentrated light-emitting module.\u003c\/p\u003e\n\u003cp\u003eFor stage lighting, the design can provide a more unified output than fixtures built from many visibly separate LED points.\u003c\/p\u003e\n\u003cp\u003eThis helps create a cleaner-looking wash for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eFaces\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCostumes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eStage scenery\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLecterns\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMusicians\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWedding décor\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA single large COB source can also reduce the multi-shadow appearance that may occur when several separate LEDs illuminate the same subject from close range.\u003c\/p\u003e\n\u003ch4\u003eWhite and Warm White from One Fixture\u003c\/h4\u003e\n\u003cp\u003eThe supplier confirms both \u003cstrong\u003ewhite and warm-white output\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe two sources can operate individually or be mixed.\u003c\/p\u003e\n\u003cp\u003eThis gives lighting designers more flexibility when adapting to different event designs.\u003c\/p\u003e\n\u003cp\u003eWarm-white output can work well with:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eGold décor\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTraditional wedding stages\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWarm scenic themes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTheatre sets\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHospitality environments\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe whiter output can be useful for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eCorporate stages\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePresentations\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eModern event décor\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLive performances\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGeneral stage illumination\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe supplier does not publish exact Kelvin values for this SKU, so Stagify should not label the channels as 3200K and 5600K unless those temperatures are confirmed from the actual fixture.\u003c\/p\u003e\n\u003ch4\u003eMixed White Output\u003c\/h4\u003e\n\u003cp\u003eThe fixture can use the white and warm-white sources together.\u003c\/p\u003e\n\u003cp\u003eMixing the two channels gives the operator another way to adjust the appearance of the stage without using coloured RGB LEDs.\u003c\/p\u003e\n\u003cp\u003eThis can be especially helpful when lighting:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003ePeople on camera\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWedding stages\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCorporate speakers\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLive performers\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eScenic structures\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe exact resulting colour-temperature range is not documented on the supplier specification, so numerical CCT claims should remain unpublished until tested or confirmed.\u003c\/p\u003e\n\u003ch4\u003e320W Total Power Consumption\u003c\/h4\u003e\n\u003cp\u003eAlthough the LED source is described as 300W, the supplier lists the complete fixture's \u003cstrong\u003epower consumption as 320W\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe 320W figure should therefore be used when calculating electrical load.\u003c\/p\u003e\n\u003cp\u003eFor example:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e2 fixtures = approximately 640W\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e4 fixtures = approximately 1.28kW\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e8 fixtures = approximately 2.56kW\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThese values cover the COB PAR fixtures only.\u003c\/p\u003e\n\u003cp\u003eOther equipment including moving heads, LED screens, audio systems, fog machines and effects must also be included when planning complete event-power distribution.\u003c\/p\u003e\n\u003ch4\u003e0–100% Electronic Dimming\u003c\/h4\u003e\n\u003cp\u003eThe light provides \u003cstrong\u003e0–100% electronic dimming\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eBoth single-colour and mixed-colour operation are supported.\u003c\/p\u003e\n\u003cp\u003eThis allows the same fixture to work at different intensity levels throughout an event.\u003c\/p\u003e\n\u003cp\u003eFor example:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGuest arrival:\u003c\/strong\u003e lower-level warm illumination.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePresentation:\u003c\/strong\u003e controlled white stage light.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive performance:\u003c\/strong\u003e higher output.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEntertainment sequence:\u003c\/strong\u003e dimmer and strobe effects combined.\u003c\/p\u003e\n\u003cp\u003eSmooth intensity control is particularly important for theatre, wedding and corporate applications where the fixture cannot simply remain at maximum brightness.\u003c\/p\u003e\n\u003ch4\u003e1–25Hz High-Speed Strobe\u003c\/h4\u003e\n\u003cp\u003eThe documented strobe range is \u003cstrong\u003e1–25 flashes per second\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThis gives the COB PAR another role beyond static stage illumination.\u003c\/p\u003e\n\u003cp\u003eStrobe can be introduced during:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eConcert transitions\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDJ drops\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLive-band finales\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWedding entertainment\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eStage reveals\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDance performances\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAt slower settings, it can create pulse-style effects.\u003c\/p\u003e\n\u003cp\u003eAt higher speeds, the fixture produces a more energetic flashing effect.\u003c\/p\u003e\n\u003cp\u003eRapid strobe should be used responsibly where guests or performers may be sensitive to flashing light.\u003c\/p\u003e\n\u003ch4\u003e2-Channel DMX Mode\u003c\/h4\u003e\n\u003cp\u003eThe fixture supports a simplified \u003cstrong\u003e2CH DMX mode\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThis is useful where the operator needs basic control while keeping DMX-channel consumption low.\u003c\/p\u003e\n\u003cp\u003eA compact DMX personality can be especially helpful in a lighting system containing many fixtures.\u003c\/p\u003e\n\u003cp\u003eFor example, a wedding setup may include:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eCOB PAR lights\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMoving heads\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBeam lights\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePixel bars\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBlinders\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEffects\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eUsing the smaller profile helps preserve available addresses within a DMX universe.\u003c\/p\u003e\n\u003ch4\u003e6-Channel DMX Mode\u003c\/h4\u003e\n\u003cp\u003eA more detailed \u003cstrong\u003e6CH mode\u003c\/strong\u003e is also confirmed.\u003c\/p\u003e\n\u003cp\u003eThis gives the operator greater access to available fixture functions compared with the simplified configuration.\u003c\/p\u003e\n\u003cp\u003eThe exact channel mapping should be checked from the manual supplied with Stagify's physical inventory before publishing individual channel assignments.\u003c\/p\u003e\n\u003ch4\u003eDMX512 Professional Control\u003c\/h4\u003e\n\u003cp\u003eThe fixture uses \u003cstrong\u003eDMX512\u003c\/strong\u003e, allowing it to become part of a complete event-lighting system.\u003c\/p\u003e\n\u003cp\u003eA lighting console can coordinate the COB PAR with:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eMoving head lights\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eProfile fixtures\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLED PAR lights\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBlinders\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eStrobes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOther DMX stage fixtures\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis is useful for productions where all lighting needs to change at specific moments.\u003c\/p\u003e\n\u003cp\u003eFor example, a corporate stage can remain in a steady white state during speeches and transition into brighter or strobe-based effects during entertainment.\u003c\/p\u003e\n\u003ch4\u003eAutomatic Mode\u003c\/h4\u003e\n\u003cp\u003eThe fixture includes \u003cstrong\u003eAuto operation\u003c\/strong\u003e for setups that do not require a dedicated lighting controller.\u003c\/p\u003e\n\u003cp\u003eBuilt-in operation can be practical for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eSmall venues\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMobile events\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSimple wedding stages\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTemporary installations\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor productions requiring repeatable cues and exact intensity changes, DMX remains the preferred control method.\u003c\/p\u003e\n\u003ch4\u003eSound-Activated Operation\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eSound mode\u003c\/strong\u003e is also confirmed.\u003c\/p\u003e\n\u003cp\u003eThis allows built-in lighting behaviour to react to music.\u003c\/p\u003e\n\u003cp\u003eSound-responsive operation is most relevant during:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDJ shows\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eParties\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eClub events\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWedding entertainment\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLive music\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor theatre, corporate presentations and formal stage lighting, DMX programming provides more controlled results.\u003c\/p\u003e\n\u003ch4\u003eMaster-Slave Operation\u003c\/h4\u003e\n\u003cp\u003eMultiple matching units can be configured through \u003cstrong\u003eMaster-Slave mode\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThis allows one fixture to lead while other compatible lights follow its operation.\u003c\/p\u003e\n\u003cp\u003eIt can simplify setups where several COB PAR fixtures should behave in the same way.\u003c\/p\u003e\n\u003cp\u003eFor individually controlled intensity and white mixing across different stage zones, each fixture should instead receive its own DMX address.\u003c\/p\u003e\n\u003ch4\u003eLED Control Panel\u003c\/h4\u003e\n\u003cp\u003eA rear \u003cstrong\u003eLED control panel\u003c\/strong\u003e provides access to fixture settings.\u003c\/p\u003e\n\u003cp\u003eTechnicians can use the control panel when configuring functions such as:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDMX addressing\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eChannel mode\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAuto operation\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSound mode\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMaster-Slave configuration\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis makes the fixture usable both with and without an external console.\u003c\/p\u003e\n\u003ch4\u003eBuilt for Front and Stage Illumination\u003c\/h4\u003e\n\u003cp\u003eThe strongest use case for this fixture is \u003cstrong\u003ehigh-output white stage lighting\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eIt can be positioned to illuminate:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eSpeakers\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMusicians\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePerformers\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWedding couples\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePodiums\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eScenic areas\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCorporate presenters\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis is different from an effect PAR used mainly to colour walls or dance floors.\u003c\/p\u003e\n\u003cp\u003eThe 300W COB system gives this model a more specific role within a professional stage-lighting inventory.\u003c\/p\u003e\n\u003ch4\u003eUseful for Wedding Stages\u003c\/h4\u003e\n\u003cp\u003eWedding production companies often need both warmer and whiter illumination during the same event.\u003c\/p\u003e\n\u003cp\u003eThe warm-white component can complement:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eGold décor\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFloral arrangements\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWarm LED screens\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTraditional scenic designs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDuring entertainment, the fixture can move toward a brighter white look or introduce strobe effects.\u003c\/p\u003e\n\u003cp\u003eThis makes the two-colour COB system more flexible than a fixed warm-white PAR.\u003c\/p\u003e\n\u003ch4\u003eTheatre Applications\u003c\/h4\u003e\n\u003cp\u003eTheatre stages often require white light that can be dimmed accurately and controlled from a lighting desk.\u003c\/p\u003e\n\u003cp\u003eThe 300W COB PAR can be used for:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eGeneral stage wash\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eScenic illumination\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePerformer lighting\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBacklight\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSide light\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRehearsal lighting\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor applications requiring sharply cut edges, gobos or precise framing, a dedicated profile light remains the more appropriate fixture.\u003c\/p\u003e\n\u003ch4\u003eCorporate Event Applications\u003c\/h4\u003e\n\u003cp\u003eCorporate stages benefit from lighting that keeps presenters visible without relying entirely on coloured entertainment fixtures.\u003c\/p\u003e\n\u003cp\u003eThe white + warm-white design is useful around:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003ePodiums\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConference stages\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eProduct displays\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAward ceremonies\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePanel discussions\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIt can then remain in the rig when the event transitions into entertainment later in the programme.\u003c\/p\u003e\n\u003ch4\u003eCOB PAR vs RGBW PAR\u003c\/h4\u003e\n\u003cp\u003eThese two fixture types have different jobs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChoose this 300W COB PAR when you need:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eStrong white output\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWarm-white control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMixed white\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePerformer illumination\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eStage wash\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTheatre or corporate lighting\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eChoose an RGBW PAR when you need:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eSaturated red\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGreen\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBlue\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDecorative venue colours\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eColour-changing effects\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA complete production may use both.\u003c\/p\u003e\n\u003ch4\u003eCOB PAR vs Stage Profile Light\u003c\/h4\u003e\n\u003cp\u003eChoose the COB PAR when you need \u003cstrong\u003ebroader white-light coverage\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eChoose a profile fixture when you need:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eSharper beam edges\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePrecise stage-area isolation\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFraming shutters\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGobo projection\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe two fixtures complement each other rather than directly replacing one another.\u003c\/p\u003e\n\u003ch4\u003eCOB PAR vs 4x50W COB Blinder\u003c\/h4\u003e\n\u003cp\u003eThe 300W COB PAR also occupies a different catalogue position from the 4×50W blinder.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e300W COB PAR:\u003c\/strong\u003e\u003cbr\u003eBetter for sustained stage illumination and variable white-light use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4×50W COB Blinder:\u003c\/strong\u003e\u003cbr\u003eBetter for visible four-cell audience blinder effects and short high-impact cues.\u003c\/p\u003e\n\u003cp\u003eThis distinction prevents the two Stagify products from competing for exactly the same search intent.\u003c\/p\u003e\n\u003ch4\u003eBest For\u003c\/h4\u003e\n\u003cp\u003eThe 300W Stage COB Par Light is particularly suited to:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eWedding stages\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTheatre productions\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConcerts\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLive bands\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCorporate events\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConference stages\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHotel ballrooms\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHouses of worship\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEvent-production companies\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAV rental businesses\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePerformance venues\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eWhat's Included \u0026amp; Compatibility\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eCore product:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e1 × 300W Stage COB Par Light\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eCompatible with suitable:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDMX512 controllers\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eProfessional DMX cables\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAluminium stage truss\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRated stage-lighting clamps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eIndependent secondary safety attachment\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eProfessional power distribution\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe exact supplier listing does not clearly document whether the package includes:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eBarn doors\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eClamp\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSafety cable\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDMX cable\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFlight case\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThese items should only be listed as included after checking the physical Stagify inventory.\u003c\/p\u003e\n\u003ch4\u003eIs the Light Source Really 300W?\u003c\/h4\u003e\n\u003cp\u003eYes.\u003c\/p\u003e\n\u003cp\u003eThe supplier specifies a \u003cstrong\u003e300W white + warm-white 2-in-1 LED source\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe complete fixture power consumption is separately listed as \u003cstrong\u003e320W\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch4\u003eWhat Colours Does It Produce?\u003c\/h4\u003e\n\u003cp\u003eThe fixture produces:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eWhite\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWarm white\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMixed white\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIt is not an RGB colour-changing PAR.\u003c\/p\u003e\n\u003ch4\u003eWhat Is the Colour Temperature?\u003c\/h4\u003e\n\u003cp\u003eThe exact supplier page does not give numerical Kelvin values.\u003c\/p\u003e\n\u003cp\u003eTherefore, Stagify should not publish 3200K, 5600K or any other exact colour temperature until the physical fixture or manufacturer documentation confirms it.\u003c\/p\u003e\n\u003ch4\u003eDoes It Support DMX512?\u003c\/h4\u003e\n\u003cp\u003eYes.\u003c\/p\u003e\n\u003cp\u003eThe fixture supports \u003cstrong\u003e2CH and 6CH DMX512 operation\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch4\u003eCan It Work Without DMX?\u003c\/h4\u003e\n\u003cp\u003eYes.\u003c\/p\u003e\n\u003cp\u003eConfirmed control modes include:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAuto\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSound\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMaster-Slave\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDMX512\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eHow Fast Is the Strobe?\u003c\/h4\u003e\n\u003cp\u003eThe documented range is \u003cstrong\u003e1–25 flashes per second\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eBoth single-colour and mixed-white operation are supported according to the supplier.\u003c\/p\u003e\n\u003ch4\u003eIs the Beam Angle Adjustable?\u003c\/h4\u003e\n\u003cp\u003eThe supplier's marketing description states that the beam angle is adjustable.\u003c\/p\u003e\n\u003cp\u003eHowever, the formal specification does \u003cstrong\u003enot provide an angle range or explain whether adjustment is manual, lens-based or motorised\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eDo not publish an angle such as 15°–60° unless the actual Stagify fixture confirms it.\u003c\/p\u003e\n\u003ch4\u003eDoes It Work on UAE Power?\u003c\/h4\u003e\n\u003cp\u003eYes.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eAC90–240V \/ 50–60Hz\u003c\/strong\u003e input covers standard UAE 220–240V \/ 50Hz mains supply.\u003c\/p\u003e\n\u003cp\u003eThe exact plug supplied with Stagify stock should still be checked before claiming a Type G plug.\u003c\/p\u003e\n\u003ch4\u003eCan It Be Used Outdoors?\u003c\/h4\u003e\n\u003cp\u003eNo verified IP rating is published for the exact product.\u003c\/p\u003e\n\u003cp\u003eAlthough the supplier's FAQ states that it can be used outdoors, that claim does not establish weather protection.\u003c\/p\u003e\n\u003cp\u003eDo not market it as:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eWaterproof\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eIP65\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRain-resistant\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eunless the fixture's physical label or manufacturer documentation confirms an outdoor rating.\u003c\/p\u003e\n\u003ch4\u003eInstallation \u0026amp; Safety Requirements\u003c\/h4\u003e\n\u003cp\u003eFor overhead installation:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eUse a properly rated stage-light clamp.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInstall an independent secondary safety cable.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConfirm the truss or mounting structure can support the fixture.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSecure power and DMX cabling.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eKeep ventilation areas unobstructed.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eProtect the fixture from rain unless an IP rating is confirmed.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eProfessional overhead installations should be completed by personnel familiar with stage-lighting and rigging practices.\u003c\/p\u003e\n\u003ch4\u003e300W COB Stage Lighting in the UAE\u003c\/h4\u003e\n\u003cp\u003eStagify supplies \u003cstrong\u003eCOB PAR lights, stage lighting and event-production equipment across the UAE\u003c\/strong\u003e for wedding companies, theatres, venues and rental businesses.\u003c\/p\u003e\n\u003cp\u003eThis 300W model is positioned for buyers who need \u003cstrong\u003ehigh-output white + warm-white stage illumination with 2\/6CH DMX control\u003c\/strong\u003e, rather than RGB decorative colour effects.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContact Stagify for current availability and to confirm the exact beam-angle configuration and supplied accessories before ordering.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Stagify MENA","offers":[{"title":"Default Title","offer_id":47956373471453,"sku":null,"price":780.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0828\/6594\/6845\/files\/300W_Stage_COB_Par_Light_white_and_warm_white_UAE.jpg?v=1787888042","url":"https:\/\/stagify.ae\/products\/300w-stage-cob-par-light","provider":"Stagify","version":"1.0","type":"link"}